125 highly effective techniques to boost your career

The Massage Therapy Students DVD Guide Volume 2: The Upper Extremities

The Massage Therapy Students DVD Guide Volume 2: The Upper Extremities

Take your massage skills and business to the next level with these advanced techniques.

"Last Year... l was scared"

"My client was talking of going to another practitioner who was more skilled than l was as, many others had before. Then l came across these two massage DVDs covering over 250 techniques, that very client is now referring me to all her friends and colleagues. Since learning these techniques my appointment book is always full."

J Harris, Therapist

  • end position and hand contact for a myotonic release technique to the levator scapula muscle

    end position and hand contact for a myotonic release technique to the levator scapula muscle

  • ischemic compression to a biceps brachii trigger point

    ischemic compression to a biceps brachii trigger point

  • myotonic release performed on the scalene muscles

    myotonic release performed on the scalene muscles

  • mid-range position and hand contact for a myotonic release technique to the triceps brachii muscle

    mid-range position and hand contact for a myotonic release technique to the triceps brachii muscle

  • biceps brachii muscle

    biceps brachii muscle

  • a myotonic release to the infraspinatus muscle

    a myotonic release to the infraspinatus muscle

  • triceps brachii

    triceps brachii

  • starting position and hand contact for a myotonic release technique to the rhomboid muscles

    starting position and hand contact for a myotonic release technique to the rhomboid muscles

  • ischemic compression to a supraspinatus trigger point

    ischemic compression to a supraspinatus trigger point

  • infraspinatus muscle

    infraspinatus muscle

  • trigger point

    trigger point

  • the scalene muscles are illustrated on the right side of the image the clients left

    the scalene muscles are illustrated on the right side of the image the clients left

  • end position and hand contact for a myotonic release technique to the splenius capitis muscle

    end position and hand contact for a myotonic release technique to the splenius capitis muscle

  • ischemic compression to a levator scapula trigger point and its referral pattern

    ischemic compression to a levator scapula trigger point and its referral pattern

  • ischemic compression to a pectoralis major trigger point

    ischemic compression to a pectoralis major trigger point

  • ischemic compression to a triceps brachii trigger point

    ischemic compression to a triceps brachii trigger point

  • the erector spinae muscle in a stretched position

    the erector spinae muscle in a stretched position

  • myotonic release technique to the supraspinatus muscle

    myotonic release technique to the supraspinatus muscle

  • figure 1 - deltoid muscle

    figure 1 - deltoid muscle

  • ischemic compression to a rhomboids trigger point, and its referral pattern

    ischemic compression to a rhomboids trigger point, and its referral pattern

  • supraspinatus muscle

    supraspinatus muscle

  • the rhomboids (shown connected to the lower cervical and upper thoracic spine)

    the rhomboids (shown connected to the lower cervical and upper thoracic spine)

  • pectoralis major

    pectoralis major

  • end position and hand contact for a muscle strip with passive flexion to the erector spinae

    end position and hand contact for a muscle strip with passive flexion to the erector spinae

  • stretch

    stretch

  • ischemic compression to an infraspinatus trigger point

    ischemic compression to an infraspinatus trigger point

  • figure 2 - myotonic release technique to the supraspinatus muscle

    figure 2 - myotonic release technique to the supraspinatus muscle

  • myotonic release technique to the biceps brachii muscle

    myotonic release technique to the biceps brachii muscle

  • myotonic release to the anterior fibres of the deltoid muscle

    myotonic release to the anterior fibres of the deltoid muscle

  • the erector spinae muscle group

    the erector spinae muscle group

  • the splenius capitis muscle

    the splenius capitis muscle

  • starting position and hand contact for a myotonic release technique to the pectoralis major muscle

    starting position and hand contact for a myotonic release technique to the pectoralis major muscle

  • the therapist has the splenius capitis muscle in a stretched position

    the therapist has the splenius capitis muscle in a stretched position

  • the trapezius muscle

    the trapezius muscle

  • deltoid muscle

    deltoid muscle

With this DVD - the world's only fully interactive video library of massage techniques - therapists and advanced students can learn over 120 highly effective techniques for treating the upper extremities.

This DVD also includes treatment demonstrations, and many more interactive Bonus Features.

Download your free eBook covering 36 of these highly effective techniques:


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Techniques Library Include:

  • Anatomy (muscle attachments)
  • Palpation
  • Basic Techniques
  • Advanced Techniques
  • Trigger Points (with referral patterns)
  • Stretches
  • Strengthening Exercises
  • Joint Play Techniques

Our Guarantee

Try The Massage Therapy DVD Guide for a whole 30-days. If you are not happy tell us for a full refund and you keep all bonuses, no questions asked.

No one offers you a better career/self-development package.

The Massage Therapy Students DVD Guide Volume 2: The Upper Extremities

  • Save 38% on the RRP £49.97
  • Our Price £29 + £2 P&P = £31

The Massage Therapy DVD 1: The Torso + The Massage Therapy DVD 2: The Upper Extremities

  • Save 43% on the RRP £99.94
  • Our Price £54.60 + £3 P&P = £57.60

Please Note:

Chapter 1 does not have any sound accompanying the visual demonstrations.

These DVDs were purposely produced this way, because chapter 1 has text that the viewers are reading to learn the content.

The editor's decision was to mute the sound on the video, since it was merely a visual support for the text in that chapter.

They felt it would be distracting to have audio and voices going on while you read the text.